@ the Symphony

WQED-FM’s Jim Cunningham spoke with returning guest conductor Petr Popelka leading the Pittsburgh Symphony Orchestra in Brahms’ Academic Festival Overture, the Dvorak Violin Concerto and Bartok’s Concerto for Orchestra. Maestro Popelka speaks in his dressing room about Pittsburgh’s connection to the Bartok Concerto for Orchestra; his work with soloist Josef Spacek; their love of fellow countryman Antonin Dvorak; his successful debut with the Berlin Philharmonic; and his love of radio.

WQED-FM was at Heinz Hall for a live broadcast of the Pittsburgh Symphony Orchestra on Friday January 16, 2026. The concert featured guest conductor Dima Slobodeniouk conducting “Flounce” by Lotta Wennakoski and the Sibelius Symphony No. 2, along with Lucas and Arthur Jussen playing the Poulenc Concerto for Two Pianos.

WQED-FM’s Jim Cunningham was joined by Vice President of Artistic Planning for the Pittsburgh Symphony Orchestra, Mary Persin. She spoke about tonight’s concert; the orchestra’s outreach program in libraries happening all spring; and upcoming concerts she’s looking forward to hosting at Heinz Hall.

WQED-FM was at Heinz Hall for a live broadcast of the Pittsburgh Symphony Orchestra on Friday January 16, 2026. The concert featured guest conductor Dima Slobodeniouk conducting “Flounce” by Lotta Wennakoski and the Sibelius Symphony No. 2, along with Lucas and Arthur Jussen playing the Poulenc Concerto for Two Pianos.

WQED-FM’s Jim Cunningham was joined by guest conductor Dima Slobodeniouk during intermission to talk about the concert; his friendship with Lotta Wennakoski and her piece “Flounce;” working with the Pittsburgh Symphony; conducting Beethoven 9th’s in Vienna; and his upcoming engagements.

Also joining Jim during intermission were the piano soloists Lucas and Arthur Jussen. They spoke about the Poulenc piece as well their encore; what they will do with their day off before Sunday’s concert; and their love of sports.

WQED-FM was at Heinz Hall for a live broadcast of the Pittsburgh Symphony Orchestra on Friday January 16, 2026. The concert featured guest conductor Dima Slobodeniouk conducting “Flouce” by Lotta Wennakoski and the Sibelius Symphony No. 2, along with Lucas and Arthur Jussen playing the Poulenc Concerto for Two Pianos.

Before the concert, host Jim Cunningham spoke with Principal Contrabassoon James Rodgers who talked about the program; highlights for him for tonight; and a description of our broadcast location backstage. Jim also spoke with violist Sean Juhl who spoke about his new appointment with the Cleveland Orchestra.

The Pittsburgh Symphony Orchestra played Copland’s “Fanfare for the Common Man;” Beethoven’s Violin Concerto with PSO Concertmaster David McCarroll as soloist, and the Shostakovich Symphony No. 5 at Heinz Hall the weekend of December 5th, 2025. WQED-FM was there to broadcast the concert on Sunday December 7th live.

After the concert, WQED-FM’s Jim Cunningham spoke with violist Sean Juhl about their busy schedule the last week or so. Then, Jim was joined by Principal Horn William Caballero and Principal Oboe Cynthia Koledo DeAlmeida, who spoke about the trip to New York City, playing the Shostakovich Symphony No. 5, their new CD, and their love of WQED-FM.

The Pittsburgh Symphony Orchestra played Copland’s “Fanfare for the Common Man;” Beethoven’s Violin Concerto with PSO Concertmaster David McCarroll as soloist, and the Shostakovich Symphony No. 5 at Heinz Hall the weekend of December 5th, 2025. WQED-FM was there to broadcast the concert on Sunday December 7th live.

During intermission, WQED-FM’s Jim Cunningham spoke with PSO Music Director Manfred Honeck, who spoke about the rave reviews of the orchestra’s concert at Carnegie Hall in New York City earlier in the week and his plans for the holidays. Jim also spoke with soloist and PSO Concertmaster David McCarroll about the Beethoven violin concerto, and the Bach encore he played. Jim was then joined by Pittsburgh Symphony Vice-President of Artistic Planning Mary Persin with a recap of the New York City trip, and what people can look forward to with the Pittsburgh Symphony during the rest of the December.

The Pittsburgh Symphony Orchestra played Copland’s “Fanfare for the Common Man;” Beethoven’s Violin Concerto with PSO Concertmaster David McCarroll as soloist, and the Shostakovich Symphony No. 5 at Heinz Hall the weekend of December 5th, 2025. WQED-FM was there to broadcast the concert on Sunday December 7th live.

Before the concert, WQED-FM’s Jim Cunningham spoke with PSO violist Tatjana Mead Chamis and PSO Violinist Lorien Benet Hart about the recent trip to New York City, and what to expect from this afternoon’s concert.

Violin prodigy Himari makes her debut with the Pittsburgh Symphony on November 28th with Bruch’s Violin Concerto No. 1. She joined Jim Cunningham to talk about the Bruch, her first EP with Decca Records, and playing with the Berlin Philharmonic and the Philadelphia Orchestra.

Himari began playing the violin at the age of three and by the age of six, was already performing with professional orchestras. In 2022, she became the youngest student admitted to the prestigious Curtis Institute of Music in Philadelphia, where she now studies under the renowned violinist Ida Kavafian.

 Houston Symphony Music Director Juraj Valcuha returns to conduct the Richard Strauss “Ein Heldenleben,” A hero’s Life, which reveals the autobiography of the composer complete with his thoughts on music critics but does it end with a triumph? Not exactly.  It is a giant piece and 45 minutes of delightful music. Maestro Valcuha tells Jim Cunningham in his dressing room after rehearsal on Thursday evening that he has already given the world premiere of the “Liberty Bell” by Julia Wolfe, co-commissioned with Pittsburgh and Houston. The composer will take a bow on stage this weekend. She uses lots of bells in the augmented percussion section.

Juraj Valcuha has renewed his Houston contract through 2027 and he is still getting to know the city. Rodeo is on the plan for next year and after leaving Pittsburgh, he’ll conduct “A Hero’s Life” at Jones Hall at Thanksgiving. He is just back from conducting the Debussy opera “Pelléas and Melisande” in Switzerland for one month working with the Orchestre de la Suisse Romande – famous for hundreds of recordings with Ernest Ansermet. He’s a nature lover and he hopes he can enjoy the great outdoors a bit with many dates on his calendar. Pittsburgh is a favorite stop with his grandfather having lived here. He’s visited Grandads’ final resting place in Pittsburgh and looks forward to more concerts.

Just as he left the stage Thursday afternoon at Heinz Hall, Pablo Fernandez talked with Jim Cunningham about his Saint-Saens Cello Concerto No. 1 with Juraj Valcuha and the Pittsburgh Symphony. They’ve worked together with great success in Paris, he loves working with the Pittsburgh, and remembers well his debut with John Williams in December of 2023. He’s been playing the Saint-Saens since he was very young and of course he plays “The Swan” from the Carnival of the Animals as an encore often. He’s enjoying this trip and his wife is along for the journey this time. A new recording is on the way and life is good. He had to head off to rehearse for the Saturday Pittsburgh 360 concert where he plays two chamber music masterpieces with members of the orchestra and the audience on stage.

Pianist Helene Grimaud talks with Jim Cunningham about her wide-ranging tour with the Gershwin Piano Concerto marking its 100th anniversary. She recorded it live with David Zinman two decades ago and is delighted to return to it in Pittsburgh, Houston, Washington DC and opening the new era in Cincinnati with Christian Macelaru. She’s recently driven across the country from her California home to return to a place in Westchester, New York. A new recording is on the way. She has loved her many concerts with Pittsburgh including tour programs where she brought along her own tuner and Steinway.  In Europe the distances are not too far, so hiring the truck and piano mover is more practical than in the States. In Pittsburgh, she is delighted to play the 24 year old concert grand while the new instrument is smoothing out its freshness.

Domingo Hindoyan makes his Heinz Hall debut with the Pittsburgh Symphony on November 7th and 9th leading “Alegria” by Roberto Sierra, the Gershwin Piano Concerto in F with Helene Grimaud as soloist and the Cesar Franck D minor Symphony. Maestro Hindoyan talks about his family growing up in Venezuela and playing the violin in the youth orchestra which is part of the highly successful training program El Systema. He discusses his new post at LA Opera, his music making in England and much more in this conversation with Jim Cunningham in the conductor’s dressing room recorded on Thursday November 6 , 2025.