Pittsburgh Symphony Radio

Leonard Slatkin conducts Haydn’s Symphony No. 67. Sir James Galway, the biggest star of the flute world today, returns to play Mozart’s Flute Concerto No. 2 and the Carmen Fantasy based on Bizet’s opera.

Leonard Slatkin conducts Haydn’s Symphony No. 67. Sir James Galway, the biggest star of the flute world today, returns to play Mozart’s Flute Concerto No. 2 and the Carmen Fantasy based on Bizet’s opera.

Dig out your dancing shoes – steam clean your ballroom gown for the annual concert in the style of the Vienna New Year’s Day program on this week’s Pittsburgh Symphony Radio broadcast. Music Director Manfred Honeck conducts Viennese polkas and waltzes from the Strauss Family. Steven Banks makes his debut with the Tomasi Concerto for Alto Saxophone.

Dig out your dancing shoes – steam clean your ballroom gown for the annual concert in the style of the Vienna New Year’s Day program on this week’s Pittsburgh Symphony Radio broadcast. Music Director Manfred Honeck conducts Viennese polkas and waltzes from the Strauss Family. Steven Banks makes his debut with the Tomasi Concerto for Alto Saxophone.

It’s a program inspired by the natural world. Hear bird calls and the rolling of thunder in Beethoven’s Pastorale Symphony. Manfred Honeck conducts Hannah Eisendle’s “Heliosis” – from the Greek word for sun. Francesco Piemontesi plays Liszt’s Second Piano Concerto.

It’s a program inspired by the natural world. Hear bird calls and the rolling of thunder in Beethoven’s Pastorale Symphony. Manfred Honeck conducts Hannah Eisendle’s “Heliosis” – from the Greek word for sun. Francesco Piemontesi plays Liszt’s Second Piano Concerto.

Former Pittsburgh Symphony Resident Conductor Lawrence Loh conducts the orchestra and Mendelssohn Choir of Pittsburgh in all of your favorites from John Williams’ iconic score – including the opening title and the Imperial March.

Former Pittsburgh Symphony Resident Conductor Lawrence Loh conducts the orchestra and Mendelssohn Choir of Pittsburgh in all of your favorites from John Williams’ iconic score – including the opening title and the Imperial March.