Podcasts

Michael Feinstein - The Sinatra Project - Jun 21, 2011

Michael Feinstein sings Frank Sinatra's signature tunes (and does it HIS way) with Marvin Hamlisch and the Pittsburgh Symphony Pops. Feinstein tells Jim Cunningham about recording with legendary Pittsburgh guitarist Joe Negri, broadcast appearances on NPR's From the Top and his own PBS series, and about iconic musicians such as Oscar Levant and Ira Gershwin.

Michelle DeYoung - May 20, 2011

Mezzo-soprano Michelle DeYoung, who has recorded Mahler's Symphony No. 3 with four different orchestras including the PSO, returns in Mahler's Kindertotenlieder on the 100th anniversary of the composer's death. She talks about the challenges and joys of singing this deeply emotional song cycle.

Joan Tower, composer - May 13, 2011

Composer Joan Tower talks about her world-premiere piece, titled "Stroke," which was commissioned by the PSO. She describes how she incorporated a heartbeat and sequence of instrumental solos into music inspired by the stroke that left her brother half-paralyzed. She also comments on her uncommon fanfares, and some activities beyond her tenure as Pittsburgh Symphony Composer of the Yea.

Joseph Gaines Sings Vaughan Williams - May 12, 2011

New York-based tenor Joseph Gaines sings "Silent Noon" by Ralph Vaughan Williams with text by Dante Gabriel Rossetti at Classicial QED 89.3 in a preview of the Pittsburgh Song Collaborative's event "Illuminations: Music, Poetry, and Art" at Carnegie Lecture Hall on May 12 at 7:30. Info at pghsong.org.

Sari Gruber Sings Fauré - May 11, 2011

Pittsburgh-based soprano Sari Gruber sings "Clair de lune" by Gabriel Fauré with text by Paul Verlaine at Classicial QED 89.3 in a preview of the Pittsburgh Song Collaborative's event "Illuminations: Music, Poetry, and Art" at Carnegie Lecture Hall on May 12 at 7:30. Info at pghsong.org.

Leonard Slatkin - May 6, 2011

PSO Principal Guest Conductor Leonard Slatkin has championed David del Tredici's "Final Alice" since he witnessed the premiere. Slatkin describes unusual aspects: the enormous orchestra, Theremin, and soprano with megaphone. He also discusses Peter and the Wolf with text revised by Pittsburgh humorist Peter Leo, and the Detroit Symphony's new direction after a long and bitter strike.

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