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what did you think you just heard me say?!
a multi-disciplinary dancetheater work created for intimately sized audiences of 50 — up close & very personal. Sitting nearly on stage gives audiences the chance to feel part of the “conversation” rather than just “witnessing” it.
Are the words we hear just interpretations sifted through our personal sieves of experience, culture, gender, language? With humor & poignancy this seasoned group of performers cruise, crash, and glide through the psychological & emotional nooks & crannies of human (mis)communication.
“Wait, that’s not what I said!” “Well… that’s what I heard!”
a multi-disciplinary dancetheater work created for intimately sized audiences of 50 — up close & very personal. Sitting nearly on stage gives audiences the chance to feel part of the “conversation” rather than just “witnessing” it.
Are the words we hear just interpretations sifted through our personal sieves of experience, culture, gender, language? With humor & poignancy this seasoned group of performers cruise, crash, and glide through the psychological & emotional nooks & crannies of human (mis)communication.
“Wait, that’s not what I said!” “Well… that’s what I heard!”
a multi-disciplinary dancetheater work created for intimately sized audiences of 50 — up close & very personal. Sitting nearly on stage gives audiences the chance to feel part of the “conversation” rather than just “witnessing” it.
Are the words we hear just interpretations sifted through our personal sieves of experience, culture, gender, language? With humor & poignancy this seasoned group of performers cruise, crash, and glide through the psychological & emotional nooks & crannies of human (mis)communication.
“Wait, that’s not what I said!” “Well… that’s what I heard!”
a multi-disciplinary dancetheater work created for intimately sized audiences of 50 — up close & very personal. Sitting nearly on stage gives audiences the chance to feel part of the “conversation” rather than just “witnessing” it.
Are the words we hear just interpretations sifted through our personal sieves of experience, culture, gender, language? With humor & poignancy this seasoned group of performers cruise, crash, and glide through the psychological & emotional nooks & crannies of human (mis)communication.
“Wait, that’s not what I said!” “Well… that’s what I heard!”
a multi-disciplinary dancetheater work created for intimately sized audiences of 50 — up close & very personal. Sitting nearly on stage gives audiences the chance to feel part of the “conversation” rather than just “witnessing” it.
Are the words we hear just interpretations sifted through our personal sieves of experience, culture, gender, language? With humor & poignancy this seasoned group of performers cruise, crash, and glide through the psychological & emotional nooks & crannies of human (mis)communication.
“Wait, that’s not what I said!” “Well… that’s what I heard!”
a multi-disciplinary dancetheater work created for intimately sized audiences of 50 — up close & very personal. Sitting nearly on stage gives audiences the chance to feel part of the “conversation” rather than just “witnessing” it.
Are the words we hear just interpretations sifted through our personal sieves of experience, culture, gender, language? With humor & poignancy this seasoned group of performers cruise, crash, and glide through the psychological & emotional nooks & crannies of human (mis)communication.
“Wait, that’s not what I said!” “Well… that’s what I heard!”
a multi-disciplinary dancetheater work created for intimately sized audiences of 50 — up close & very personal. Sitting nearly on stage gives audiences the chance to feel part of the “conversation” rather than just “witnessing” it.
Are the words we hear just interpretations sifted through our personal sieves of experience, culture, gender, language? With humor & poignancy this seasoned group of performers cruise, crash, and glide through the psychological & emotional nooks & crannies of human (mis)communication.
“Wait, that’s not what I said!” “Well… that’s what I heard!”
a multi-disciplinary dancetheater work created for intimately sized audiences of 50 — up close & very personal. Sitting nearly on stage gives audiences the chance to feel part of the “conversation” rather than just “witnessing” it.
Are the words we hear just interpretations sifted through our personal sieves of experience, culture, gender, language? With humor & poignancy this seasoned group of performers cruise, crash, and glide through the psychological & emotional nooks & crannies of human (mis)communication.
“Wait, that’s not what I said!” “Well… that’s what I heard!”