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back | January 2003

Building
Blocks
On Mercy Hospital's first floor, there's a modest coin fountain,
a collection of religious statues and a Wall of Fame on which contributors
to the hospital are listed. Big donors are honored with plaques,
and six of the main honorees are foundations -- the Alcoa Foundation,
Mary J. Donnelly Foundation, Eden Hall Foundation, Richard King
Mellon Foundation, PPG Industries Foundation and The Pittsburgh
Foundation.
For
anyone who's seen a child born or a grandparent die within these
uptown walls -- and this author has had both experiences -- this
is a special place. The plaques on the wall are a reminder that
in Pittsburgh, the foundations are a part of life, from cradle to
grave.
Let's
take a tour. Start at Xplorion, the Southwestern Pennsylvania information
center in downtown's Regional Enterprise Tower. Shoot through the
Cultural District, and count the arts organizations and their new
or refurbished homes. Cruise the North Shore, past the riverfront
park, Carnegie Science Center and Pittsburgh Children's Museum.
Then head east on Centre Avenue, past the Hill House, Hill Community
Development Corp., and other organizations that are helping rebuild
a storied neighborhood.
Centre
takes you by the new Hillman Cancer Center, and a quick jaunt through
Oakland gets you to the Phipps Conservatory and Botanical Gardens
and the Carnegie Museums. A short drive northeast, and you're passing
the Lawrenceville Boys and Girls Club, then Highland Park's Pittsburgh
Zoo and PPG Aquarium.
Wend
your way through the suburbs and counties of the region, and you'll
pass Hosanna House in Wilkinsburg, St. Vincent College's new conference
center, Penn State Fayette's community events building and Touchstone
Center for Crafts in Farmington. Everything you've just seen --
and hundreds of other landmarks along every major artery in the
region -- exists in part because of the foundations.
"If
we carved all of those [foundations] out, if they disappeared tomorrow,
think about the wide array of things that wouldn't happen,"
says Jeffrey R. Gilbert, executive director of the PPG Industries
Foundation. "It's special education, it's culture, it's helping
build labs, it's developing a workforce, it's human services. If
you didn't have the foundations doing those things, we wouldn't
have the unique quality of life we enjoy in Pittsburgh."
In
1999, foundations in Southwestern Pennsylvania gave $453 million
in grants, according to a statewide study by three philanthropic
service organizations, including Grantmakers of Western Pennsylvania.
More recent data on overall giving aren't yet available. But judging
by the reports of individual foundations, it's likely that the figure
rose in 2000, declined in 2001 and 2002, and is currently near 1999
levels.
Why
do they give? Because federal tax laws allow well-to-do individuals,
corporations, hospitals and community boosters to sequester money
in tax-exempt foundations, invest it, and give it away. Once placed
in a foundation endowment, the money can't be used for private gain,
and it can't just sit there; foundations and trusts must give away
5 percent of the market value of their holdings each year to nonprofit
organizations and beneficiaries like schools or face tax penalties.
Many
of Southwestern Pennsylvania's 20 wealthiest foundations trace their
roots to Pittsburgh's industrial and financial heyday. The biggest
local philanthropy, the R.K. Mellon Foundation, has its roots in
banking and now gives away some $65 million a year. Bankers also
founded the McCune, PNC, Scaife Family, Sarah Scaife and Hillman
foundations, which are also in the top 20.
The
Heinz food empire spawned the Howard Heinz Endowment, Vira I. Heinz
Endowment, Eden Hall Foundation and H.J. Heinz Company Foundation.
Heavy industry birthed the Alcoa, US Steel and PPG Industries foundations.
Oil and gas fortunes fuel the Eberly and Claude Worthington Benedum
foundations.
The
Grable Foundation was created by the widow of Rubbermaid Inc. founder
Errett M. Grable, and the Buhl Foundation's benefactor rung up that
endowment in retail. The United Jewish Federation Foundation is
rooted in religion, and the Jewish Healthcare Foundation was created
when that community sold Montefiore Hospital to the University of
Pittsburgh Medical Center.
The
Pittsburgh Foundation sets up mini-endowments -- called funds --
for families, individuals or businesses, and makes grants from those
funds to charities specified by either the donor or the foundation's
staff.
Smaller
foundations have even more diverse origins. The Mary J. Donnelly
Foundation was built on money made when Premier Malt Products Co.
-- which sold mash to home brewers during Prohibition -- sold out
to Pabst Brewing. Henry and Elsie Hillman have given their children
their own foundations, creating a brood of philanthropies that each
gives out $350,000 to $500,000 a year.
And
the Staunton Farm Foundation is rooted in the estate of Matilda
S. McCreedy, an oil baron's wife who died childless and wanted her
estate to serve the needs of the mentally ill.
In
the late 1990s, the stock market boom inflated the endowments of
many foundations, and giving away 5 percent became a challenge.
"Every year, we would grow and grow, and we wouldn't always
meet our 5 percent payout before the very end of the year,"
says Karen Wolk Feinstein, president of the Jewish Healthcare Foundation.
Times
have changed. The market decline that began in 2000 and the swelling
of need caused by the Sept. 11 attacks are now squeezing the foundations.
The region's biggest philanthropy, the Richard King Mellon Foundation,
gave away $91 million in 2000 but has had to trim that to about
$65 million in 2002, says its vice president and director, Mike
Watson. "It hit hard," Watson says of the market's slide.
"We're not looking at as many new grants, and we're getting
a backlog." Others report similar declines in giving power.
Faced
with declines in their spending power, the foundations could have
retrenched. Instead, many redoubled efforts to get the brightest
light from each reaction they catalyzed. And occasionally, somebody
got burned.
Powerful
Reactions
By mid-2002, the usual high jinks on the Pittsburgh Public Schools
board had escalated into a full-blown food fight. Board factions
and superintendent Dr. John Thompson were battling over school reopenings,
budget items and curriculum options. Many public figures bemoaned
the infighting, but nobody seemed to have the leverage to force
a truce.
Susan
Brownlee, executive director of The Grable Foundation, was particularly
frustrated. The Grable Foundation is dedicated to education, and
its biggest grantee has long been the Pittsburgh Public Schools.
"Because
of the governance issues -- particularly between the two factions
on the school board and the superintendent -- the system was increasingly
dysfunctional."
Brownlee
made some calls and found that Trueheart and The Heinz Endowments
executive director Maxwell King shared her concerns. So on July
9, Brownlee, Trueheart and King held a joint press conference to
announce that they were suspending funding to the district. It was
an unprecedented move for the traditionally publicity-shy foundations,
and it had immediate repercussions. Besides blowing a $3.5 million
hole in the district's budget, the move became a national news story
and prompted Mayor Murphy to create a commission to study the school
board's governance. Trueheart and Oxford Development Co. president
David Matter co-chair the panel, which is now refining its recommendations.
"At
some point, foundations need to say, This may be a good program,
but fundamentally, you've got to do some things differently,'"
says Brownlee.
Then in August, a spat between Murphy and four foundations over
the future of a 177-acre Hazelwood development site exploded onto
the front page. The Heinz, McCune, R.K. Mellon and Benedum foundations
had long planned to buy the former LTV Scoke works site for $9.9
million, then to guide a community planning process and to pass
the project on to a responsible developer. The foundations thought
they were doing a favor to the cash-strapped city by securing a
key property that might otherwise have fallen into the hands of
land speculators.
But
in June, Murphy sent a letter to the foundation heads chiding them
for taking two years to try to buy the site and threatening to intervene
-- perhaps by seizing the property using the city's eminent domain
powers -- if they didn't seal the deal quickly. The foundations
shot back with an epistle of their own, calling the imbroglio "a
case of no good deed going unpunished,'" and saying they
"are both discouraged and puzzled by the difficulties of working
cooperatively with your office."
"The
reason it was taking a long time was because we were trying to get
environmental clearance from the commonwealth," explains William
P. Getty, president of the Claude Worthington Benedum Foundation
and the prime architect of the Hazelwood deal. By the end of August,
Murphy and the foundation heads made peace, and the joint venture
bought the property.
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Artful
Giving
Foundations help shore up the region's quality of life.
When
you check out the new David L. Lawrence Convention Center
in April, don't miss the art. To complement architect Rafael
Vinoly's design, the Sports & Exhibition Authority decided
to make "the integration of public art" an important
objective, says development manager Doug Straley. With a total
budget of $2 million, the SEA matched $1 million in local
foundation support to commission pieces from five local and
one Illinois artist.
That's
just one example. Without foundation support, the region would
miss many of the sights, sounds and motion that enrich the
quality of life.
"We're
blessed with this incredible philanthropic legacy of the major
foundations," says J. Kevin McMahon, president of the
Pittsburgh Cultural Trust, established in 1984. "[They're]
one of the reasons Pittsburgh has been able to create a Cultural
District; other cities have struggled."
Support
from foundations and foundationlike institutions makes up
about $2.5 million of the Trust's $32 million annual operating
budget, he says, noting that support "bumps up"
when the Trust is involved with major projects, like the building
of the O'Reilly Theater.
The
O'Reilly is home to Pittsburgh Public Theater, where managing
director Stephen Klein also applauds foundation support, saying
that, at its founding 28 years ago, the Public would have
had a difficult road ahead "if foundations had not rallied
together for that initial funding." Today, 8.3 percent
of the recent $6.7 million operating budget came from foundations,
which Klein says are "among the largest donors."
Across
Penn Avenue at Heinz Hall, home of the Pittsburgh Symphony,
look for smiles. "All you have to see is the smile on
the face of one of the 50,000 young students attending a free
Pittsburgh Symphony Schooltime Concert to understand the impact
that the foundations have on all of our lives," says
Gideon Toeplitz, PSO executive vice president and managing
director. The Symphony averages about 4 percent in foundation
support during a year.
"I
like to think of foundations as venture capitalists for social
good," Toeplitz says. "They invest in possibility,
they open wide doors of opportunity, and they challenge us
to bring new and more meaningful experiences to our audiences
with every performance. Ultimately, foundation support of
the arts helps to ensure that Southwestern Pennsylvania is
a good place to work -- and to live."
Last
month, The Pittsburgh Ballet Theatre unveiled its new Nutcracker,
localized with Pittsburghiana (see "A New Nutcracker,"
December), made possible through foundation support. The PBT's
annual $7 million budget counts 7.5 percent from private foundations
and 5 percent from corporate foundations.
"Without
foundation support, PBT is out of business," says PBT
managing director Steve Libman.
At the Carnegie Museum of Art, foundation support helped bring
about its current major exhibition, "Panopticon: An Art
Spectacular." The general operating budget receives a
boost from about $190,000 per year from a Heinz Endowments
grant. "It's enormously crucial, because it's unrestricted,"
says museum director Richard Armstrong.
Experiencing
art, dance, music and theater via foundation support is what's
immediately apparent to us, but what goes on behind the scenes
is important as well: the workaday world of running an arts
organization. Now foundation assistance will help. Carnegie
Mellon University's Center for Arts Management and Technology
plans to establish next month a comprehensive database for
local arts organizations, created with $60,000 from The Heinz
Endowments, the Pittsburgh Foundation and the Pennsylvania
Council on the Arts. The data and analyses will help nonprofit,
creative and cultural organizations in such areas as management,
planning and fundraising.
-- Mike May
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Then
in mid-September, an even larger contingent of foundations launched
another missive at a proposal by the Sports & Exhibition Authority
to finance a new hockey arena, in part with funds from the Allegheny
Regional Asset District sales tax. "There was widespread loathing
of the idea that now that we have football and baseball, we should
build ice, too, and have a hat trick," says Edwards, whose
staff at the McCune Foundation wrote most of the letter.
There
was also concern that arena funding would come at the expense of
the arts groups and cultural institutions that RAD backs -- and
that those organizations would have to turn to the foundations to
make up the difference. So executives at the McCune, Heinz, Benedum,
Hillman, R.K. Mellon and Pittsburgh foundations penned a letter
to the RAD board urging that the portion of RAD funds dedicated
to sports facilities be capped at the current 22 percent.
Often,
such communications never see the light of day. But this time, the
letter was excerpted in newspapers even before it reached its addressees,
says RAD board chairman Dan Griffin. "When I saw the recommendations
they made in the newspaper, that was the first I saw them,"
Griffin says. "We had no dialogue ahead of time."
Edwards says he's unapologetic about the headlines the letter generated.
"Behind closed doors' ain't making it," he says.
"The foundations are learning to play in the public sphere."
"It's
been part of the culture of the foundation community not to be out
front. They've been one row back," says King. When he arrived
at the Heinz Endowments in 1999, King says, foundation heads were
talking about becoming more vocal. But King took things several
steps further.
A
longtime newspaperman who served as editor of the Philadelphia Inquirer
(1990-98), King brought a new view of the news media to the foundation
world. "If a reporter calls, I take the call," he says.
"I'm comfortable with the idea that one of the tools with which
we get things accomplished is the media."
King
also sought a unifying theme within the Heinz Endowments' five areas
of interest -- the arts, children, economic opportunity, education
and the environment. He found it in civic design, by which he means
molding a community that works for the benefit of its residents
and serves as a model to others worldwide. The endowments, he says,
are becoming "one of the institutions that shapes the future
development of the community."
The
Heinz Endowments are Pittsburgh's second-largest philanthropy, giving
upwards of $60 million a year, and their shift into civic design
made them an instant star on gridirons long dominated by government
and business. As a key funder and leader of the Riverlife Task Force
of Pittsburgh, for instance, King has exerted influence on private
developers, angered the Mon Fayette Expressway's backers and forced
PennDOT to adopt view-friendly barriers for the Fort Pitt Bridge.
"There's
a sense that I have that we're now in other people's space,"
King says. "In many ways, we're welcomed, but there's a little
bit of anxiety that we're not staying in our space and just providing
resources."
Trueheart
took the helm at the Pittsburgh Foundation in January, and he, too,
embraced a more public role. His foundation regularly interacts
with thousands of donors and grant recipients, giving it a unique
capacity to move the public discourse. "Has the Pittsburgh
Foundation been involved in deliberate efforts to make or shape
public policy?" Trueheart asks. "That's long been a part
of our history.
It's been a quiet part of our history."
The
Pittsburgh Public Schools' public squabbling, though, called for
a louder approach. Trueheart's last gig as national head of Reading
Is Fundamental, a national nonprofit dedicated to promoting literacy,
taught him that urban education has urgent needs. "The children
in the [Pittsburgh] school system could not afford not to have the
best education available," he says. "And any time that
we wasted reduced their opportunity to get that education."
Suspending
grants to the district -- and doing so publicly -- was the only
way to get the community to face up to the district's problems,
he says.
The roots of the new assertiveness in the foundation community go
beyond any few individuals. "Systems change" and "leveraging"
are hot buzzwords throughout the philanthropic world -- both in
Pittsburgh and elsewhere -- and those two concepts have inevitably
led to increased activism.
Systems
change means getting at the root of a social malady, rather than
just treating the pain it causes. "Are we going to get good
at getting much closer to the social and health and environmental
problems we were created to address? Or are we going to play at
the margins?" asks Feinstein of the Jewish Healthcare Foundation.
"If we can get ourselves down to the root causes
then
we're going to be much more interesting and important."
Leveraging
means using one resource -- typically a grant -- to bring to bear
other powerful forces. If a foundation grant can help a nonprofit
attract other private money, government funding and helpful partners,
it can have an influence beyond its own dollar value. Leveraging
often involves working with government, notes Ron Wertz, president
of The Hillman Foundation Inc.
"Today,
there is a much greater collaboration between public and private
money than there has been in the past," he says, "and
that almost dictates that you're going to get more involved in public
policy."
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