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Discussion & ActivitiesUse these activities before, during, or after your video-based lesson on The Arts in Pittsburgh.
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Discussion
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Learning Activities
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| Who does art? Who loves art? |
Interview a contemporary or traditional artist, craftsperson, musician, dancer, actor, or other performer.
After a school performance, demonstration or during an artist residence arrange for the artists to stay awhile to be interviewed about what they do, how and why they do it, and how they learned their skills. See one of the arts organization in The Arts in Pittsburgh resource section to arrange to find a contemporary artist to talk with. To find traditional artists and performers, ask around your community at clubs and congregations for craftspeople, ethnic dancers and musicians.
Use this Oral History Interview process to learn how to conduct your interview: Asking the right questions will help you get better stories and not just "yes," "no," and "uh-huh" answers! Be sure to get a signed release form so you can save the tape and use guotes from the interview. What questions could help you find out this information about your artist or performer, especially traditional artists:
See also, Collecting Ourselves activities
Pittsburgh's museums, libraries, archives, and individual collectors are keepers of our cultural and natural heritage. Are you one of those packrats--ahem, collectors?
What do you collect? Why?
What fascinates you about your collection? What is your favorite piece in your collection?
How do you decide what to add to your collection? Do you go for quality or quantity? Why? How is "quality" judged for the things you collect? Is that the same criteria you use to judge the quality of your collection or to make buying decisions?
How are the collections of the Carnegie Museum of Art, the Carnegie Museum of Natural History, Phipps Conservatory, and the Carnegie Library different? How are they the same? How do you think the curators and librarians there make their collection decisions?
What are the special challenges in collecting living (or ex-living) things? Is it right to collect living things?
What are the special challenges of collecting art works?
What are the special challenges of collecting books that are available for loan?
What are some of the "rules" museums and libraries have about their collections? What are the reasons for those rules?
In "Something about Oakland," Richard Armstrong, Director of the Carnegie Museum of Art called the museum the "Palace of the Imagination across from the Cathedral of Learning." What would you call the Carnegie Museum of Natural History? Phipps Conservatory? The Carnegie Library?
What other interesting collections are in Oakland? [Nationality Rooms, the Center for American Music at Stephen Foster Memorial (library and museum), Hillman Library and its Archive of Industrial Society, Hunt Institute of Botanical Documentation at CMU, Rodef Shalom's Biblical Garden, etc.]
What other collections do you now about in our area? [Heinz History Center, the Pittsburgh Zoo, the National Aviary, Clayton and the Frick Art Museum, Old Economy are just a few.] For 65 museums in our area, visit the Greater Pittsburgh Museum Council's web site.
Follow up this discussion with these "Collecting Ourselves" activities below.
Pittsburgh's museums, libraries, archives, and individual collectors are keepers of our heritage. Are you one of them? Let's talk about collecting, learn some tips from the Pittsburgh professional packrats, and visit some of Pittsburgh premiere collections!
Begin with Collecting Ourselves classroom discussion above. Follow up this discussion with these "Collecting Ourselves" activities:
Related video stories
from "Something about Oakland":
Related video stories
from other programs:
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| Maxo Vanka's mural inside St. Nicholas Church in Millvale. |
Maxo Vanka told the story of Croatia's tragic heroes through war, and immigration, and work on the walls of St. Nicholas Croatian Catholic Church in Millvale. These murals are definitely not just for decoration like the murals in homes. What story do they tell?
The 1930s were a great era for murals because President Franklin D. Roosevelt's Works Progress Administration (WPA), a program of the New Deal, employed artists to create murals for public buildings all over the nation. The Allegheny County Courthouse and many local post offices built in the 1930s are graced with these murals. Almost always these murals made heroes out of common everyday people working hard to make a life for themselves and their families.
Plan a mural to honor the hard work of Pittsburghers throughout the its history:
Develop a story: Who do you think built Pittsburgh with their hard work? What story do you think should be told about them? What kind of work did they do? Where? What was heroic about what they did?
Find a place at school to paint the mural and decide whether to do it on paper (temporary and portable), canvas (permanent and able to be reworked and repainted), or fresco (permanent and challenging);
Break the story into "chapters" and assign person or team to each "chapter;"
Design the mural to scale on paper;
Enlarge to actual size on large mural paper (called a "cartoon") and decide on colors;
Transfer the cartoon to the wall or paper with charcoal;
Paint the mural.
For information about fresco--painting with egg tempera right onto wet plaster--visit the Fresco workshop at the Arts Foundation of Michigan.
Related video stories:
| Where art lives |
This is a simple, effective and fun generic treasure hunt game that can be done anywhere to increase students' powers of observation and description. Depending on your goals students can either draw or write their descriptions. It also "self-adjusts" to any age-group third grade or older.
Use Details, Details to demonstrate that art is all around in your school or on a neighborhood walking tour. On a field trip it ensures that students really are paying attention, honing their skills, and learning something. You can even use it to focus attention when showing the Downtown Pittsburgh video.
Visiting a museum or art gallery can be much more than just a snakeline tour through the hallways. On your next group museum visit, drum up more fun and more learning with a gallery game. This game is easy--it just takes a piece of paper and pencil for each person--and it encourages visitors to both browse the whole gallery and spend some quality time focussing on one object.
Set-up:
Directions:
Language arts variation:
Instead of drawing a detail of the object or picture, write a detailed description that partners can use to find the object.
Related video stories:
It can be challenging enough to look at art from our own culture! Art from other cultures and traditions is even more challenging to understand and appreciate. But students can learn to explore art from their own and other cultures-- reading images is a skill that can be developed just like reading books.
Taking a Closer Look (off-site link-- use your "Back" button to return to this site) is a systematic way of looking at art from any tradition, but it is especially useful for looking at art from non-Western traditions. When you visit the wonderful collections and special exhibits at one of Pittsburgh's museums or galleries, take this quiet activity with you and let students get to really get up-close and personal with a work of art!
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